Monday, July 25, 2022

CRITICAL APPRECIATION OF INUYASHA


CRITICAL APPRECIATION OF INUYASHA  

Heya, folks! I’m back with a new article on Inuyasha, one of my favourite manga! It’s been sooo long since I read Inuyasha, and I was hit by a sudden wave of nostalgia today… so here I go!

 

Inuyasha is written and illustrated by famous mangaka Rumiko Takahashi. It ran for a grand total of 12 years, 1996-2008 [dear God, I wasn’t even born when it began]. Takahashi’s other works, like Urusei Yatsura and Ranma ½, are very popular worldwide, but in my not-so-humble opinion, Inuyasha is her best and most enduring work. It was pretty ground-breaking for its time as well, being one of the first isekai [a genre of fantasy where the protagonist is transported into another world, generally set in another historical timeline, and gains a whole new set of powers] manga to gain mainstream popularity. Besides, although it was marketed as a shounen manga, I’ve always thought that it had many shoujo traits as well, especially in the strong and positive portrayal of the female protagonist and narrator, Kagome Higurashi [this would explain the high per cent of female readership].

 

So what’s Inuyasha about? It narrates the story of a high school girl, Kagome Higurashi, who leads a pretty regular and peaceful life until her 15th birthday, when she falls into an ancient well, situated in her family shrine. The well, which is enchanted, transports her to the Sengoku Jidai, Japan’s feudal era [it roughly lasted for almost 200 years]. Here, she realizes that she is being targeted by evil monsters called yokai [demon], who covet the Shikon Jewel, which is sealed within her body and possesses the power to grant anyone their heart’s desire. She inadvertently frees the half-demon Inuyasha [which means “dog demon”], from an ancient seal binding him to a tree, and reluctantly forms an alliance with him to protect the holy jewel [she feels responsible for it, as she is the reincarnation of the previous guardian of the Jewel, a priestess called Kikyo].

 

However, Kagome—who takes up archery lessons in order to protect the jewel—accidentally breaks the jewel into millions of tiny shards, scattering them all across the country. She and Inuyasha then set out to collect all the pieces of the jewel before they fall into the wrong hands, and are aided along the way by many new allies. That’s the basic premise [I won’t give anything else away!].

 

So what makes Inuyasha so special? I think it’s a fantastic blend of fantasy and mythology, as Takahashi artfully draws upon many traditional elements of Japanese mythology, such as the depiction of many different forms of yokai [dog, fox, bird, wolf etc.], and the presentation of miko [priestesses] with supernatural powers. Inuyasha, who is actually half-demon and half-human, can be interpreted as a metaphor for racism, as he is constantly mistreated by demons, and heavily feared by humans. He is characterized as a rather anti-heroic protagonist, and though he has many faults, he is fairly likeable in a strange way [you’ll understand when you read the manga].

 

However, the biggest highlight [for me, at least] is Kagome! She’s intelligent, quick on her feet, extremely brave, caring, loyal… the list is never-ending. I’ve always admired her no-nonsense and straightforward attitude as well; definitely one of the best heroines out there. Kagome is also a very proactive figure throughout the manga, often taking the lead in tough situations, even while facing the toughest foes. Of course, she has her flaws too, but I genuinely love her too much to dwell on them, hehe!

 

The supporting characters and the antagonists are quite colorful as well. Sesshoumaru, Inuyasha’s elder half-brother, and Naraku, the main antagonist, both add a lot of spice and darkness to the story. I genuinely believe that, rather than the plot itself, it’s the characters who have made so many people love the manga.

 

Takahashi is known for writing a lot of comedic stuff, but Inuyasha has a pretty grim tone overall. It’s got some rather gory scenes and never shies away from depicting the extremities of demons’ violence; it may feel slightly disturbing at first, but I think it suits the tone of the manga. Moreover, Sesshoumaru [what a fussy name] and Naraku, as much as I hate to praise them, are great antagonists.

 

The artwork is really pretty too; typical 1990s style, but with Takahashi’s distinctive flavor. All in all, Inuyasha has few drawbacks—if I have to nitpick, I’d say that the plot and the final confrontation with Naraku are unnecessarily dragged out. The romance between Kagome and Inuyasha could also have been handled better, but it turned out well enough for them in the end.

Most of the people I know have given up on Inuyasha because they thought it was too long and boring, or they weren’t fond of the overt mythological references. Well, to each their own, I guess… but if you ask me, Inuyasha is wayyy better than a lot of the modern manga out there [I won’t name the ones I don’t like, hehe!]. So if you haven’t read it and are willing to try, I definitely recommend it—it’s a solid manga, and although I haven’t watched many episodes of the anime, it seems pretty good too!

 

I hope you like my article!

 

See you next time!!

 

 

 

 

 

 

 

 

 

 

No comments:

Post a Comment